拍卖信息

藏品描述

在此幅画中，徐悲鸿运用饱含奔放的墨色勾勒头、颈、胸、腿等大转折部位，并以干笔扫出鬃尾，使浓淡干湿的变化浑然天成。马腿的直线细劲有力，有如钢刀，力透纸背，而腹部、臀部及鬃尾的弧线很有弹性，富于动感。整体上看，画面前大后小，透视感较强，前伸的双腿和马头有很强的冲击力，似乎要冲破画面。 In this painting, Xu Beihong uses full of unrestrained ink to bridle the head, neck, chest, legs and other big turning parts, and sweeps out the mane tail with dry pen, making the changes of thick, light, dry and wet natural. The straight line of the horse's legs is strong, like a steel knife, which penetrates through the paper back, while the arc of the belly, buttocks and mane tail is very elastic and dynamic. On the whole, the painting is big in front and small in back, with a strong sense of perspective, and the legs stretching forward and the horse's head have a strong impact, which seems to break through the picture.