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「大清乾隆年制」六字单行篆书款 ，礬红六字篆书款，背部平整可供悬挂。撇口，收颈，腹部方圆至底渐收。下承圈足外撇，设计独特，工艺精巧。外壁罩施淡绿釉为地，釉面洁净，呈色娇妍，其上以粉彩绘饰纹样，口沿及胫部分别环饰意云头纹、蕉叶纹，颈部装饰瑞蝠衔西番莲，腹部以描金做四方倭角开光，其内罩施白釉，以隶书做诗文，外缘则以粉彩环饰缠枝花卉纹。所绘纹样繁缛连续，细致入微，颇见功力，其画工复杂而不失严谨之态，装饰风格颇具西洋特征，以描绘纹样的色泽深浅来表现明暗，突出立体感及层次感，生动而写实，与清妍之绿釉相衬，华而不俗，妍而不媚，清新悦目，愈显搭配自然舒雅。器底矾红彩书「大清乾隆年制」六字篆书横款。壁瓶之肇始，源于五代宫廷的壁瓶插花。「李后主每春胜时，梁栋窗壁柱拱阶砌，并作隔筒密杂花，榜曰：锦洞天。」此类装饰方法至明代也备受推崇，高濂在《遵生八笺》中既有：「床内后柱上钉铜钩，用挂壁瓶，四时插花，人作花伴，清芬满床，卧之神爽意快，冬夏两可」等语。至有清一代，以「书生」自居的乾隆皇帝，对小巧灵秀的壁瓶尤为钟爱，以之装饰宫廷，故宫养心殿三希堂内即挂壁瓶十四只。并多次赋诗文赞赏，本品御题之诗文即为此例由《清档》可知此赏瓶之烧造，皆由内廷制定瓷样，且景德镇御窑厂为宫中烧制壁瓶。“The year of Emperor Qianlong in the Qing dynasty” is written in a single-line seal script with a flat back for hanging. Pinch mouth, neck, abdomen circle to the bottom gradually. Under the ring foot outside the prime, unique design, exquisite technology. The outer wall is covered with a light green glaze. The glaze is clean and beautiful. It is decorated with a pastel-colored pattern. The mouth and shin are decorated with the patterns of cloud head and banana leaves respectively. The neck is decorated with passionflower with the name of Red Bat, the abdomen to do the square wo angle painted gold to open the light, its inner cover with white glaze, to do poetry and prose to official script, the outer edge of the ring is decorated with pastel flowers twining patterns. The patterns are continuous, meticulous and highly effective. The painting is complex yet rigorous, and the decoration style is quite western. The depth and lustre of the patterns are used to express the light and dark, and to highlight the sense of three-dimensional and level, vivid and realistic, and the green glaze Qingyan contrast, gorgeous and not vulgar, Yan and not mei, fresh and pleasing to the eye, the more natural and elegant collocation. The Six-character character seal on the base of the ware is the color book“Qianlong year of the Qing dynasty”. The origin of the wall vase originated from the wall vase flower arrangement of the Five Dynasties Court. “Every spring when Empress Li wins, the pilasters of Liang Dong's windows are arched and filled with mixed flowers. In his “Eight notes on Zunsheng”, Gao Lian wrote, “Pin a copper hook on the back post of the bed, hang a vase on the wall, arrange flowers at four seasons, make a flower companion, fill the bed with fragrance, and the God lying on the bed is happy, in summer and winter. In the Qing dynasty, Emperor Qianlong, who called himself a“Scholar”, was particularly fond of small and delicate wall bottles, which adorned the palace. Fourteen wall-hanging bottles were found in the Sanxi Hall of the Palace Museum. And repeatedly praised the poems and articles, this product imperial title of the poem is this example from the“Qing file” can be known that the appreciation of the bottle of firing, are made by the court porcelain samples, and Jingdezhen imperial kiln for the palace firing wall bottles